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Slave movies are an important medium for exploring the history of slavery. Many of them correct misperceptions about the abolition of slavery, and many have garnered critical acclaim and gravitas. A selection of these films will show us what happened to enslaved Africans and the rise of the Ku Klux Klan. Here are three films to watch:

Docudrama about trans-Atlantic slave ship voyage of black slaves

This Docudrama explores the history of the trans-Atlantic slave ship voyage. Over four centuries, tens of millions of Africans were transported by slave ships. While many of the slaves survived, others did not. The film features footage of the wreck and its extensive damage. This makes it an important educational resource. But be sure to watch it carefully before making any conclusions.

Enslaved: The Lost History of the Trans-Atlantic Slave Trade will consist of six episodes, each focusing on a different aspect of the trade. The six-part series is produced by Fremantle/Associated Producers Ltd. and Cornelia Street Productions. The project features Simcha Jacobovici, Afua Hirsch, and Kramer Wimberly, the lead diver in Diving With a Purpose.

As the film moves through the Middle Passage, we are given a better understanding of what went on during the time. A documentary about this period can be a great starting point for research on this topic. In addition to providing an excellent education on the history of slavery, it can also be used to raise questions about the treatment of slaves during the Middle Passage. It will provide insight into how slaves lived and died during this terrible period in history.

CLOTILDA: LAST AMERICAN SLAVE SHIP will air on National Geographic on Feb. 7. The episode will be accompanied by a cover story for National Geographic magazine's March issue. After the premiere, the documentary will be available online. It will also be aired on Hulu the next day. It will be released in the US on Feb. 7 at 10/9 on National Geographic.

Documentary sequel to 1977 miniseries

Documentary sequel to 1977 miniseries about slavery will give audiences a glimpse of life for African Americans in the mid-1800s. This new film will give viewers the facts, but also provide a new perspective on the slave trade. Steve McQueen's movie is a nod to the influential book Roll, Jordan, Roll by Eugene D. Genovese, which argued that religion provided a key survival mechanism for slaves. The film demonstrates the emotional pain felt by slave community members during the singing ritual. The movie shows the emotional pain that a slave, Steve Northup, experiences during a singing ritual.

The story of Roots is told in a reimagined version of the landmark 1977 television miniseries. The miniseries, which aired on 8 consecutive nights, focuses on the descendants of an enslaved African boy. It features an ensemble cast led by Forest Whitaker and Anika Noni Rose. LeVar Burton serves as executive producer. The miniseries has been a box office success.

In the remake, the sons of Liberty are turned into vigilantes who fight for their freedom. The enslaved are whipped and sold as slaves, and most of the resistance is violent. While the enslaved successfully escape punishment in a realistic fashion, they are often rewarded with the same violent treatment. Despite this, the main characters of the film get in on the action. For example, Kunta Kinte kills the slave overseer who whipped him and two slave patrollers. And Chicken George kills a potential ex-Confederate threat.

The film has received mixed reviews and criticism. Many young viewers have asked why only black movies are made and how Hollywood endorses them. Some have argued that the film is more accurate because it focuses on African-Americans. A+E's development team considered this new information as essential for reimagining the project. However, the new film is not a perfect replica of the original. The movie is a necessary reminder that the abolitionist movement was still alive and fighting in the United States two decades before the Civil War.

The film's premiere on March 12 is a significant moment in the struggle for racial justice. "King Kunta" taps into the zeitgeist with today's Black Lives Matter movement and the unrelenting suffering of black people. Despite these challenges, the film does deserve a wide release. But it may not be welcomed by all viewers, especially closer to the holidays.

Films that depict enslaved Africans in a negative light

There is an increasing tendency among contemporary filmmakers to portray enslaved Africans in terribly negative light. Steven Spielberg's Lincoln turned back the clock on slavery and perpetuates the outdated idea that white men were the main drivers of history and social progress. Yet the film was critically acclaimed. But it also perpetuates a dangerous myth: the Africans were merely property, with no rights.

This premise was the basis for "Amistad" (2015), the Oscar-winning drama directed by Stephen Spielberg. The story centers on the legal status of two Africans who are brought to America as slaves, while trying to prove their innocence in court. The film's marketing campaign framed the story as an examination of slavery in today's society, and subtly emphasized the social injustices that existed in the past. In the process, it shifted attention away from the historical experience of African Americans in the antebellum south.

While early films emphasized the evils of slavery, the production of "Evita" and its film adaptations reflected a different view of slavery. After the Civil War, Southern writers and filmmakers used the "lost cause" myth to portray black people in a gloomy light. By the 1970s, the public's perception of slavery had changed. As a result, films depicting enslaved Africans in a negative light have been banned from the cinema.

Other movies portrayed enslaved Africans in remarkably negative ways. The Foxes of Harrow, loosely based on the bestselling novel by black author Frank Yerby, was a notorious example. It undercut the notion that slavery was benign by depicting the lives of black women in slavery. In another example, the Band of Angels, which was based on the novel by Robert Penn Warren, featured Clark Gable as an ex-slave trader.

Twelve Years a Slave was released in November 2013, amidst a different political climate. Just a few months later, George Zimmerman was found not guilty of murdering Trayvon Martin, a black teenager. This acquittal resulted in national discussions about "stand your ground" laws and racial profiling. In a way, 12 Years a Slave has also reopened this uncomfortable topic.

Films that glorify the Ku Klux Klan

Despite its racist history, movies have never taken the Ku Klux Klan seriously. They've depicted them as frat boys, terrorist organizations, and resentful losers in ridiculous costumes. The films' portrayals of Klan members vary greatly, from harrowing depictions of mass murder to portrayals of racist, repressive groups that promote racism and intolerance.

While Spike Lee's "BlacKkKlansman" may be the first African American to infiltrate the KKK, it is not the first. Ted V Mikels' 1966 trashsploitation classic The Black Klansman, also known as I Cross the Colour Line, follows a light-skinned jazz musician's undercover mission to bring down racists in Alabama. This character is played by white actor Richard Gilden, who plays a knuckle-baring neophyte. Other films with Klan references include OJ Simpson's pointy hood in the 1974 film The Klansman, while Franco Nero donned the Klan hat in 1966's Django Unchained.

Despite a slew of critics, the film's release was controversial. In the North, riots broke out during several premieres. Protesters hoped to keep the film from being shown there. Meanwhile, the National Association for the Advancement of Colored People attempted to have the film banned from theaters. However, despite these protests, the film continues to be popular today, proving that films that glorify the Klan are just as controversial as those about other groups.

Another film that makes the Klan look like a good group of people is "A Man Apart." In this movie, a black man named Silas Lynch is a mulatto who becomes a lieutenant governor of South Carolina, after which he marries a black woman named Flora. The film's title card suggests that Flora would have preferred to die rather than be raped. The film's theme is the notion of racial purity and the violence that can follow it.